HAIM Announce First New Album in Five Years: I Quit Set for June 20 Release

After a five-year hiatus from full-length releases, Los Angeles’ sister trio HAIM have officially announced their highly anticipated fourth studio album, I Quit, slated for release on June 20, 2025, via Columbia Records1 2 3 4 5 6 8. The announcement, which comes on the heels of a string of buzzy singles and a creative, nostalgia-fueled promotional campaign, marks a significant new chapter for the band, whose last album, Women in Music Pt. III, garnered critical acclaim and multiple Grammy nominations.

A Dramatic Reveal and a New Era

HAIM—comprised of sisters Danielle, Este, and Alana Haim—unveiled the album’s title and release date during a headlining show at The Bellwether in Los Angeles on April 23. The reveal was characteristically theatrical: an intro video flashed the message “I quit” alongside a series of personal and universal renunciations, such as “I quit what does not serve me,” “I quit overthinking,” “I quit shame,” and “I quit caring about what you think.” The band later confirmed the news on Instagram, generating a wave of excitement among fans and music media alike2 3.

The conceptual rollout, which paid homage to early 2000s paparazzi culture, has set the tone for an album that promises both personal introspection and bold sonic exploration. The cover art, shot by acclaimed filmmaker and longtime collaborator Paul Thomas Anderson, further underscores the record’s artistic ambitions1 3 4 5 6 8.

Musical Direction: Blending Genres and Personal Themes

Early indications suggest I Quit will be HAIM’s most ambitious and diverse record yet. The album features 15 tracks, making it their longest to date, and is co-produced by Danielle Haim and Rostam Batmanglij (of Vampire Weekend and Discovery fame)1 3 4 5 6 8. The trio’s signature blend of indie rock, alternative R&B, and folk remains intact, but with a renewed sense of experimentation and emotional candor.

Preview Singles: A Glimpse Into I Quit

Three singles released ahead of the album provide a window into its eclectic sound:

“Relationships”: Released in March, this lead single fuses alternative R&B grooves with a dramatic mid-song transformation, showcasing the band’s knack for melodic hooks and dynamic arrangements3 5 6 8.
“Everybody’s Trying to Figure Me Out”: Co-written with Bon Iver’s Justin Vernon, this track channels raw indie rock energy and vulnerability, reflecting the band’s ongoing evolution1 3 4 6 8.
“Down to Be Wrong”: Dropped alongside the album announcement, this bluesy, folk-rock anthem of self-preservation builds from simmering verses to a cathartic chorus. Danielle Haim’s vocals deliver the poignant refrain, “Red lights are up ahead, but I keep walking,” capturing the album’s themes of resilience and self-discovery1 3 4 5 6 8.

A music video for “Down to Be Wrong,” featuring actor Logan Lerman and directed by Bradley and Pablo, is set for release on April 251 4 5 6 8.

Live Debuts and Notable Collaborations

The Bellwether show served as a live showcase for HAIM’s new material. In addition to debuting “Down to Be Wrong,” the band performed “Blood on the Street,” a soulful, blues-inflected track that featured a surprise onstage appearance by social media star Addison Rae, who joined in with energetic dance moves1 4.

The setlist also included fan favorites from across their discography, such as “The Wire,” “Forever,” “The Steps,” and “Gasoline,” highlighting the group’s evolution from sun-drenched California pop to more nuanced and genre-blurring territory2 3.

Production and Artistic Vision

I Quit is described by the band as their closest realization yet of their artistic vision. In a recent interview, Alana Haim remarked, “This new album is the closest we’ve ever gotten to how we want to sound”1 4. The production partnership between Danielle Haim and Rostam Batmanglij has been credited with pushing the band into new sonic territory, balancing sharp songwriting with experimental textures and arrangements3 5 6 8.

The album’s artwork, once again a collaboration with Paul Thomas Anderson, reinforces the band’s commitment to a cohesive and visually striking aesthetic. Anderson’s previous work with HAIM has included music videos and short films, making him an integral part of the trio’s creative universe1 3 4 5 6 8.

Context: Five Years Since Women in Music Pt. III

I Quit arrives five years after HAIM’s last album, Women in Music Pt. III, which was released in 2020 to widespread acclaim. That record earned the band a Brit Award for International Group and two Grammy nominations, including Album of the Year—making them the first all-female rock group to be nominated in that category5 7.

Since then, the band has kept busy with touring, high-profile collaborations (including opening for Taylor Swift on the Eras Tour and contributing to the Barbie movie soundtrack), and solo projects. Their return to the studio was first teased in early 2023, with fans eagerly awaiting news of new music7.

Anticipation and Upcoming Performances

With its mix of personal themes, musical ambition, and genre-blurring arrangements, I Quit is already being hailed as one of 2025’s most anticipated releases3. The timing of the album’s release—just as summer begins—positions it as a potential soundtrack for both introspective listening and carefree moments.

HAIM will support the album with a series of high-profile live appearances, including sets at the New Orleans Jazz Festival and Primavera Sound in Barcelona and Portugal2 5. These shows are expected to feature new material alongside classics from their previous albums, offering fans a chance to experience the evolution of the band’s sound in real time.

Tracklist and Album Details

While the full tracklist for I Quit has yet to be officially revealed, the album is confirmed to include at least the following songs:

Relationships
Everybody’s Trying to Figure Me Out
Down to Be Wrong
Blood on the Street

The album’s 15 tracks promise a journey through heartbreak, self-preservation, and personal growth, all delivered with HAIM’s signature blend of melodic hooks and genre-defying production1 3 4 5 6 8.

Critical and Fan Reactions

Initial reactions from critics and fans have been overwhelmingly positive. The new singles have been praised for their emotional honesty, inventive arrangements, and the trio’s ever-present chemistry. The promotional campaign’s playful and self-aware tone has also resonated with audiences, reinforcing HAIM’s reputation as one of the most innovative and relatable acts in modern music3 4 5.

Looking Ahead: The Legacy of HAIM

With I Quit, HAIM continue to build on a legacy that began with their 2013 debut Days Are Gone and has evolved through subsequent releases and collaborations7. Their ability to blend genres, push creative boundaries, and connect with listeners on a deeply personal level has set them apart in the contemporary music landscape.

As the release date approaches, anticipation for I Quit is at a fever pitch. Whether it’s the introspective lyrics, the bold production choices, or the trio’s undeniable chemistry, HAIM’s fourth album promises to be a defining moment in their career—and a must-listen for fans old and new.

I Quit will be available on June 20, 2025, via Columbia Records. The album’s rollout, singles, and upcoming live performances signal a triumphant return for HAIM, reaffirming their status as one of the most vital and innovative bands of their generation1 2 3 4 5 6 8.